Recommended by Debra A. Cole

  • Debra A. Cole: Time Motion Dilation by Joe Swenson
    “

    Fast paced and THRILLING! This short piece centered around time by JOE SWENSON will keep audiences on the edge of their seats. I NEED TO SEE THIS PLAY PRODUCED!

    Fast paced and THRILLING! This short piece centered around time by JOE SWENSON will keep audiences on the edge of their seats. I NEED TO SEE THIS PLAY PRODUCED!

    ”
  • Debra A. Cole: Political Bedfellows by Rachel Feeny-Williams
    “

    This political farce harkens back to the romps of days gone by… and it’s perfect! Actors will delight in bringing the written antics to life. Audiences will be on stitches. I adore how RACHEL FEENY-WILLIAMS’ brain works.

    This political farce harkens back to the romps of days gone by… and it’s perfect! Actors will delight in bringing the written antics to life. Audiences will be on stitches. I adore how RACHEL FEENY-WILLIAMS’ brain works.

    ”
  • Debra A. Cole: Fascinating by Rachel Feeny-Williams
    “

    BRAVA! RACHEL FEENY-WILLIAMS takes a fascinating prompt and creates a truly engaging short play. Having the world of stuffy academia collide with a bubble gum social media sensation is the perfect combination for discord. In Rachel's nimble hands, she creates a colorful piece that entertains and will have audiences on the edge of their seats.

    BRAVA! RACHEL FEENY-WILLIAMS takes a fascinating prompt and creates a truly engaging short play. Having the world of stuffy academia collide with a bubble gum social media sensation is the perfect combination for discord. In Rachel's nimble hands, she creates a colorful piece that entertains and will have audiences on the edge of their seats.

    ”
  • Debra A. Cole: Story Worthy by Christopher Soucy
    “

    Important. Representation matters, and this touching short piece by Christopher Soucy demonstrates it beautifully. If hate comes from ignorance, then love, acceptance, and a sense of worth can come from knowledge…even in the movies.

    Important. Representation matters, and this touching short piece by Christopher Soucy demonstrates it beautifully. If hate comes from ignorance, then love, acceptance, and a sense of worth can come from knowledge…even in the movies.

    ”
  • Debra A. Cole: LOVE AIN'T by Vivian Lermond
    “

    What a woman. I adore monologues for strong women with stories and pasts. LOVE! What a treat for a seasoned actress.

    What a woman. I adore monologues for strong women with stories and pasts. LOVE! What a treat for a seasoned actress.

    ”
  • Debra A. Cole: Damn Robots by Ava Love Hanna
    “

    A build up and a pay off all on one single minute. Would make a hysterical piece in a ONE MINUTE FESTIVAL.

    A build up and a pay off all on one single minute. Would make a hysterical piece in a ONE MINUTE FESTIVAL.

    ”
  • Debra A. Cole: Doughnut Disturb by Robert Weibezahl
    “

    What a moment. Two “strangers” talk - worlds apart. Just when audiences want to put both of these characters in boxes, WEIBEZHAL gives us deeper layers to explore. A lovely moment.

    What a moment. Two “strangers” talk - worlds apart. Just when audiences want to put both of these characters in boxes, WEIBEZHAL gives us deeper layers to explore. A lovely moment.

    ”
  • Debra A. Cole: Brompton's Truth by Jacquelyn Floyd-Priskorn
    “

    Sweet. Touching. True.

    Love to Brampton… everyone’s Brompton.

    Sweet. Touching. True.

    Love to Brampton… everyone’s Brompton.

    ”
  • Debra A. Cole: F*#@ Edward Gordon Craig by John Medlin
    “

    Hilarious! A playwright’s play. Avoid if you love the guy… Edward Gordon Craig that is…

    Hilarious! A playwright’s play. Avoid if you love the guy… Edward Gordon Craig that is…

    ”
  • Debra A. Cole: Blink, And Your Ticket Is Worthless, a monologue by Sam Heyman
    “

    Brilliant! You had me at $20 playwright submission fee. As a playwright, I feel this all the time. Somewhere… my play is being performed for an audience - never to be seen again - with no proof that it ever lived.

    Brilliant! You had me at $20 playwright submission fee. As a playwright, I feel this all the time. Somewhere… my play is being performed for an audience - never to be seen again - with no proof that it ever lived.

    ”