Recommended by Debra A. Cole

  • Debra A. Cole: Mahatma, Martin, Mother Theresa, and You [a 1-minute play]

    Perfect. Big changes in the world start with us... a lone human. What a fabulous one-minute play.

    Perfect. Big changes in the world start with us... a lone human. What a fabulous one-minute play.

  • Debra A. Cole: The Right Thing

    And the award for tenacity, bravery, and creativity in the face of adversity goes to... RACHEL FEENY-WILLIAMS! I have no earthly idea how she did it, but RACHEL took an impossible prompt and made a coherent and entertaining short play out of it. TRULY MIND BLOWING!

    And the award for tenacity, bravery, and creativity in the face of adversity goes to... RACHEL FEENY-WILLIAMS! I have no earthly idea how she did it, but RACHEL took an impossible prompt and made a coherent and entertaining short play out of it. TRULY MIND BLOWING!

  • Debra A. Cole: Prompt 16

    Exactly. A perfect answer to a ridiculous prompt.

    Exactly. A perfect answer to a ridiculous prompt.

  • Debra A. Cole: A Few Questions

    CLASSIC RACHEL FEENY-WILLIAMS! Well developed characters... sharp and natural dialogue...and misdirection...OH,THE MISDIRECTION. There will be moment where audiences will gasp as the story unfolds, and it is perfect. Truth is a funny thing.

    CLASSIC RACHEL FEENY-WILLIAMS! Well developed characters... sharp and natural dialogue...and misdirection...OH,THE MISDIRECTION. There will be moment where audiences will gasp as the story unfolds, and it is perfect. Truth is a funny thing.

  • Debra A. Cole: The Remote (a ten minute play)

    For many couple, the tv becomes a nightly routine. What does it take to break the cycle? It may just take more tv... so much more tv. This brilliant piece by MARK HARVEY LEVINE will captivate audiences and make them think. BRAVO.

    For many couple, the tv becomes a nightly routine. What does it take to break the cycle? It may just take more tv... so much more tv. This brilliant piece by MARK HARVEY LEVINE will captivate audiences and make them think. BRAVO.

  • Debra A. Cole: Run Along Now

    God, it starts so early. The teasing. The isolation. The need for strength. SAM HEYMAN has written a one-minute play that will resonate with many who think differently, act like themselves, and march to a drum that the world doesn't understand. A beautiful minute for the wonders among us.

    God, it starts so early. The teasing. The isolation. The need for strength. SAM HEYMAN has written a one-minute play that will resonate with many who think differently, act like themselves, and march to a drum that the world doesn't understand. A beautiful minute for the wonders among us.

  • Debra A. Cole: To Necessary Ends

    With every chop, the tension rises in this little guys win saga. This would be a fantastic short play stage. Between the lighting, the props, and the chanting... the visual effects would be powerful. OUTSTANDING!

    With every chop, the tension rises in this little guys win saga. This would be a fantastic short play stage. Between the lighting, the props, and the chanting... the visual effects would be powerful. OUTSTANDING!

  • Debra A. Cole: Please Tell Me You're Ok

    Incomprehensible.
    Terrifying.
    Common Place.

    This play shouldn't have to be written.

    Incomprehensible.
    Terrifying.
    Common Place.

    This play shouldn't have to be written.

  • Debra A. Cole: Holding Pattern

    Ya gotta love a spoof about a Kansas girl who didn't think the whole trip through. When you gotta go... you gotta go, and JOHN BUSSER delivers a priceless physical comedy without his main character leaving the restraints of a cockpit seat. FABULOUS!

    Ya gotta love a spoof about a Kansas girl who didn't think the whole trip through. When you gotta go... you gotta go, and JOHN BUSSER delivers a priceless physical comedy without his main character leaving the restraints of a cockpit seat. FABULOUS!

  • Debra A. Cole: Jack of No Trades

    Of how the tables have turned. I adore a piece that takes a story and turns it on its head. CHRISTOPHER SOUCY has the dialect down and because of his sharp and quick paced banter, audiences will be transported to a seedy little room in the 1890s. What a joy this would be on stage.

    Of how the tables have turned. I adore a piece that takes a story and turns it on its head. CHRISTOPHER SOUCY has the dialect down and because of his sharp and quick paced banter, audiences will be transported to a seedy little room in the 1890s. What a joy this would be on stage.