←Recommendations of A Play about David Mamet Writing a Play about Harvey Weinstein

  • Cheryl Bear: A Play about David Mamet Writing a Play about Harvey Weinstein by Mathilde Dratwa
    “

    Perfect play. An exploration and coping mechanism that gives us a vehicle to deal with the female frustration. A play which can help change our future, the very best kind of theatre. Outstanding!

    Perfect play. An exploration and coping mechanism that gives us a vehicle to deal with the female frustration. A play which can help change our future, the very best kind of theatre. Outstanding!

    ”
  • Emma Goldman-Sherman: A Play about David Mamet Writing a Play about Harvey Weinstein by Mathilde Dratwa
    “

    Should have been produced everywhere yesterday - where is JUSTICE? This play tackles it all and is so CATHARTIC, I want to reread it again and again, see it onstage over and over because THIS PLAY ACTUALLY MEANS SOMETHING TO ME and my life and probably half the population of the world with our sons and our dreams of writing meaningful plays - thank you Mathilde Dratwa for writing what we all mean!

    Should have been produced everywhere yesterday - where is JUSTICE? This play tackles it all and is so CATHARTIC, I want to reread it again and again, see it onstage over and over because THIS PLAY ACTUALLY MEANS SOMETHING TO ME and my life and probably half the population of the world with our sons and our dreams of writing meaningful plays - thank you Mathilde Dratwa for writing what we all mean!

    ”
  • Katherine Gwynn: A Play about David Mamet Writing a Play about Harvey Weinstein by Mathilde Dratwa
    “

    you need to produce this play.

    this play is what it sounds like yes--but also not. it does not give answers. it demands question after question after question, an incessant barrage that bears the the tender flesh at the heart of american theatre. it gives space for rage and wondering and fear and hope, all in equal measure.

    you need to produce this play. now. not in 5 years. now.

    you need to produce this play.

    this play is what it sounds like yes--but also not. it does not give answers. it demands question after question after question, an incessant barrage that bears the the tender flesh at the heart of american theatre. it gives space for rage and wondering and fear and hope, all in equal measure.

    you need to produce this play. now. not in 5 years. now.

    ”