The script avoids the easy traps of making the central conversation simple or black and white, instead remaining true to it's characters and getting into a more nuanced and interesting conversation about how we respond to and think about issues surrounding sexual assault. There are no purely good guys and bad guys here, as much as we'd like that to be the case, and the comic book framing brings the difference between that desire and reality into clear focus.
The script avoids the easy traps of making the central conversation simple or black and white, instead remaining true to it's characters and getting into a more nuanced and interesting conversation about how we respond to and think about issues surrounding sexual assault. There are no purely good guys and bad guys here, as much as we'd like that to be the case, and the comic book framing brings the difference between that desire and reality into clear focus.