←Recommendations of Marianas Trench (Part One of The Second World Trilogy)

As always, lovely, sensitive writing about characters you come to love who find themselves in a bind and yearn for change. The two young male characters draw you in as you wish for a better word for them and for the rest of us.

Like Bradbury, Atwood and Orwell, Sickles puts his prophetic pen to what ails us. A powerful piece. Stop reading these words and read his.

A work of aching beauty — timeless and timely, terrifying and heartbreaking, yet full of hope and humanity.

A beautiful play about being an intelligent and queer kid in a collapsing world that values neither. Highly recommended.

This is a beautiful epic play that is so moving. A political thriller and a love story. A story of authenticity in a dangerous world. I love the way Sickles captures my attention with the quirky character of Teddy and his imagination of the deepest part of the sea and creates a metaphor about camouflage and the dangers of true love in an unsafe world. So relatable.

Look, my attention span is nothing to brag about. If I even manage to finish reading a full-length script, it should be considered high praise. I not only finished Marianas Trench, but I'm eager to dive into the second part of Scott Sickles' Second World Trilogy, Pangea.

Yes, I entered into this foolishly hoping it would read like a staged adaptation of The Meg 3: Megsistential Dread. Instead, it's a political thriller that, at times, feels like The Diary of Anne Frank, only standing in the road before us instead of in the rearview mirror. I'm glad it's getting produced.

I try to never go into art with expectations. Of course, that's impossible. We all make judgments from the slightest things we can. I've read a handful of Scott Sickles' plays by now. They've come to carry a certain expectation. The writing will be good and the characters well-made. Something queer will be afoot. But the expectation is less material than that. His plays evoke, for me, a fading lilac, a still from a forgotten film, a heavy caesura after a sforzando. This play has received plenty of love. It's all deserved. I hope one day to see it performed.

Here's the thing: if you grew up a nerdy child in America and you lived to tell the tale, then nothing about our present, frightening political moment is the least bit surprising - the impulse towards fascism is just the bullying instinct writ large. Sickles knows this truth in his bones, and he's used it as the foundation of MARIANAS TRENCH - a magnificent melange of science-fiction epic, coming-of-age story, immigrant saga, queer romance, political satire, and possibly (gods I hope not) prophesy. A spectacular achievement.

Beautiful and timely - or perhaps even timeless? - Scott Sickles creates a world frighteningly familiar and populates it with gorgeously drawn sympathetic characters that you root for from the opening line. A masterclass in poetic dystopian sci-fi. I’m going to read this one over and over and hopefully get to see it staged. Simply beautiful (apologies for overusing the word).

I assigned this piece in the first month of my graduate New Play Development class in Spring 2023. We all loved it's prescient, moving story, finely drawn characters, and beautiful relationships. Reading the end of semester reflections, this was one of the plays that stayed with everyone--it's the one that they remembered, reflected on, and found themselves drawn back to even after a packed semester. I'll hold this one close for a long time.