WHERE HAVE ALL THE FAIRIES GONE?

by Aaron Coleman

In a Greenwich Village gay bar in 1968, two strangers meet. One is a Southern Black man who moved to New York to escape a world of intolerance. The other is an extravagant white man who escapes into old movies and gin martinis. As they stand at the intersection of the Civil Rights Movement and the nascent Gay Liberation Movement, the two men form a burgeoning relationship. What they discover is that the true...

In a Greenwich Village gay bar in 1968, two strangers meet. One is a Southern Black man who moved to New York to escape a world of intolerance. The other is an extravagant white man who escapes into old movies and gin martinis. As they stand at the intersection of the Civil Rights Movement and the nascent Gay Liberation Movement, the two men form a burgeoning relationship. What they discover is that the true revolution may be in finding each other in a world built to keep them apart.

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WHERE HAVE ALL THE FAIRIES GONE?

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  • Premiere Stages at Kean University: WHERE HAVE ALL THE FAIRIES GONE?

    Premiere Stages, the professional Equity theatre company in residence at Kean University, is pleased to recognize WHERE HAVE ALL THE FAIRIES GONE? as a Semi-Finalist in the 2025 Premiere Play Festival. The play rose through a competitive process to become distinguished among 805 submissions. Premiere's panel of theatre professionals commended how engaging the play is, skillfully weaving three characters' stories into the context of larger social unrest. Our congratulations and thanks to Aaron.

    Premiere Stages, the professional Equity theatre company in residence at Kean University, is pleased to recognize WHERE HAVE ALL THE FAIRIES GONE? as a Semi-Finalist in the 2025 Premiere Play Festival. The play rose through a competitive process to become distinguished among 805 submissions. Premiere's panel of theatre professionals commended how engaging the play is, skillfully weaving three characters' stories into the context of larger social unrest. Our congratulations and thanks to Aaron.

  • Danielle Wirsansky: WHERE HAVE ALL THE FAIRIES GONE?

    Where Have All the Fairies Gone? is a deeply moving and beautifully crafted play. The characters are complex and real, with the kind of nuanced depth that makes you want to spend more time with them. Coleman does an amazing job weaving together personal stories with larger social contexts, showing how these two men’s budding relationship becomes a revolution of its own in a world built to keep them apart.

    Where Have All the Fairies Gone? is a deeply moving and beautifully crafted play. The characters are complex and real, with the kind of nuanced depth that makes you want to spend more time with them. Coleman does an amazing job weaving together personal stories with larger social contexts, showing how these two men’s budding relationship becomes a revolution of its own in a world built to keep them apart.

  • Nick Malakhow: WHERE HAVE ALL THE FAIRIES GONE?

    A beautifully rendered character study of three complex, nuanced, and recognizable humans. Like all great historical fiction, Coleman makes wonderful use of the socio-historical context he is writing within to illuminate truths about our contemporary world. The seeds of Pride and the complications and dynamics surrounding it are explored thoroughly, as are the implications and reverberations of those historical origins on contemporary intersectional queer activism. I'd love to see these characters realized onstage and to spend time with them watching a staged production.

    A beautifully rendered character study of three complex, nuanced, and recognizable humans. Like all great historical fiction, Coleman makes wonderful use of the socio-historical context he is writing within to illuminate truths about our contemporary world. The seeds of Pride and the complications and dynamics surrounding it are explored thoroughly, as are the implications and reverberations of those historical origins on contemporary intersectional queer activism. I'd love to see these characters realized onstage and to spend time with them watching a staged production.

Character Information

  • MONTY
    Supremely poised, impeccably dressed. He has adopted the exaggerated, glamorous affectations of 1940s screen divas, as if always holding a cigarette holder and a dry martini. He's stuck in the Hollywood glamor of the past.
    Character Age
    35
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Male
  • PARIS
    A conservatively-dressed Southern transplant. Regal and reserved, but extremely self-possessed. Unafraid to speak his mind, yet afraid to truly be himself.
    Character Age
    30
    Character Race/Ethnic Identity
    African American/Black
    Character Gender Identity
    Male
  • ISAAC
    Idealistic, impassioned, intense. A student at Columbia starting to feel the fire of becoming a radical fighting for social change.
    Character Age
    20
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization Brave New World Repertory Theatre, Year 2022
  • Type Workshop, Organization Finalist, Playwrights' Week, The Lark, Year 2019
  • Type Reading, Organization ESPA / Primary Stages, Second Draft class, lead by Crystal Skillman, Year 2019